Monday, 23 November 2015

My OLIO Piece

At the beginning of my OLIO piece ideas were very sparse, and I was struggling to come up with something worth creating more roughs for.





After many discussions and playing around with a few ideas, I found that two of my favourites were that of deforestation and the effect on animals and how natural things, like plants or flowers decay.
For deforestation I looked at how quickly trees are being cut down and thought about what the world will do when there's only one tree left. So I thought about having the tree in a pod which no-one is allowed near as it is being protected by the government.



I then thought of the animals who are losing their homes to deforestation. And played around with ideas of lots of animals protesting (like humans do) trying to save their homes. But with these ideas there was a lot going on in the image. So I focussed on one animal and looked at some ideas of how orang-utans are affected by deforestation. I had a few different composition ideas, but found that the orang-utan holding its baby as the main focus of the image and a man behind her cutting down 'the last tree' and her losing her home was more effective.





I then looked into flowers. I started with experimenting with images of flowers. Flowers with eleven petals and they're falling off until only one healthy petal was left. But I found that this idea was quite plain and boring and more of a story needed to be told in the image. So I drew an idea of one healthy flower and it's surrounded by a number of decaying/dead flowers. I felt that this was a strong idea but there was still something missing, some sort of story.

So in a tutorial there was a suggestion of including bees in the image. I liked this idea and drew some bees into the design. This helped with the story of my illustration as there is only one healthy flower that the bees can get pollen from, but there are some bees that are caught and trapped in the dead flowers and cant find their way out, so will ultimately die along with the flowers.



When presenting my designs in the group discussion of what ideas we should go ahead with, both of my designs were liked, however the bees idea came out as favourite. I was pleased about this decision as it was also my favourite. In the peer feedback, there was a suggestion of having a larger bee flying into the image. I could see how this would give my image more depth, so I went away and thought about how I could incorporate this into my idea.
I began painting my illustration using acrylic paints as I can layer the colours and I feel this would be the most effective media to use for my image. After using colouring pencil for the first two workshops and not being overly happy with how the finished artwork turned out due to time consumption and how the background and the foreground wouldn't work well together, I thought it would be good to use a different type of media. Acrylic paint allows me to work a bit faster and I can create detail that I think I would struggle with if using colouring pencil.
I kept the design how it originally was as I felt it worked as a drawing. However, I soon found that once the image was beginning to take colour that something wasn't quite working. I had another tutorial and we found that the bee that should have been the main focus was getting lost in the centre of the flower. It was too small and the colouring of the flower and bee didn't work well together. So we decided that I should cover that bee over (which was successful after a lot of layers of paint) and to then draw in another bee slightly larger and over the lilac petals of the flower, this was a lot more successful and effective as the eye is drawn to the bee! This also proves that acrylic paint was the correct media to use, as if I had used colouring pencil, I would not have been able to make these alterations and I would have had to have started the piece of work again.




I then painted in the decaying flowers keeping all of them a sepia colour which worked really well and helps to keep the main focus on the coloured flower and bees. However, I had only drawn three bees into the original design and I felt like this wasn't enough. The flowers needed more bees to compliment them and to help tell the story behind my illustration. I drew and painted in another few bees and this really helped my image and story.



I then painted a sepia background separate to the design and put the two layers together on Photoshop.



I used the smudge tool on Photoshop to make the background more blended and smooth which was very effective and allowed the flowers and bees to sit on top of the image effectively.
When transferring the flower layer there was a lot of touch ups required as there were white lines around the flowers and bees, which was far from desirable and a couple of the bees didn't copy very well so this needed altering. After a couple of hours working on the image digitally, I'm very pleased with the outcome and I think I have created a very successful piece of work.


The sepia colours really compliment the pastel lilac and the sharpness of the yellow on the bees causing them to stand out. I also really like the murkiness and mystery of the background against the crisp, clear and sharp painting of the flowers and bees in the rest of the image. The colours tie everything together and the mixture of soft and sharp textures keep the main focus on the foreground.



I really enjoyed studying this module. The one day workshops helped me with speeding up my idea process and getting an idea down on paper. It also helped me to criticise my own work and recognise my weak areas that I can improve on. Peer reviews also helped with this because sometimes a fresh pair of eyes can see something different to what I can see and the constructive criticism can help with work I will go on to produce. I really enjoyed the idea process and I benefitted a lot from the group discussions and tutorials. They were very useful as we all helped each other generate different thoughts that could be linked to 'The Eleventh Hour'. I thought it was a good idea to create two different designs as this allowed two different thought processes to be portrayed and as a group we were able to decide on the idea that we collectively felt would work best in OLIO 11.

Workshop 3 22/10/15

For our 3rd workshop we were set the task of a one day brief to complete a competition piece of work. We were given the choice of a number of different competitions but I chose to try something that I hadn't done before and this was to do a Risograph piece of work.
We had two colours to use, pink and yellow and the two colours could be mixed to make an orange.
The theme we had to use was 'In the Sky'.
After sketching down a few ideas I decided to focus on kites.

I liked the idea of different shaped kites all in the sky together.


I simplified the shapes and created some pattern work within the kites. This made the kites more interesting and gave me more area to use the colours and mix them together in more of an intricate way.  I then used colouring pencils to give an idea of how the colours will look when printed.


This is a very rough idea of the colours and on the Risograph they will be a lot clearer and sharper.

After this stage and getting the ok to go ahead from my tutors, I then used a black ink pen to trace the shapes of each of the layers (pink and yellow) and used a black colouring pencil to create a textured background which would be in orange.

This layer will be coloured Yellow.

This layer will be coloured pink and the areas that are black on both layers will be orange.

I submitted my piece of work into the risograph competition 'Unseen' and my design was accepted into the book!
This is what the final design looks like:

I like how my design turned out once printed. The layers fit well together and the textured background is really effective as it gives the print a dreamy impression. I like the detail on the kites and how each part fits together. I was hoping for the colours to be a bit brighter and sharper, I think this may not have worked how I wanted it to because I drew the designs onto tracing paper. Although the colours aren't as bright as I was hoping, I still like this piece of work and I think the faintness of the colours gives the design an airy, light impression which goes well with the 'In the Sky' theme.

Wednesday, 28 October 2015

Workshop 2 15/11/15

Todays workshop was to create a book cover for a Penguin Classic.
I had a look at other Penguin Classic book covers that have already been created.

The Portable Edgar Allan Poe 2006

Pygmalion 2007

The Purple Cloud 2012

Wuthering Heights 2008
I like how creative the covers are for these books, especially the first three books. They are colourful and eye catching and they would be seen if they were on a book shelf in a shop.
However, the Wuthering Heights book is not colourful and I don't think it is as eye catching as the other book covers. However, the cover does sit well with the theme and story line of the book and it sets the scene for what will happen so I think it has some good qualities that go well with the theme of the book.

We had 11 book titles and synopsis' to choose from. I decided to do a cover for Wuthering Heights and I would like to make the cover more eye catching like the first three examples of Penguin Classic books.

I did some rough drawings and jotted down some key words from the synopsis to work with.






Wuthering Heights is quite a dark tale but mostly it's about a romance. I wanted to demonstrate this using the two hearts joined together and the demonic love of the characters showing through this as well. However, after discussing with my tutor we decided that my drawing was too modern for a 'Penguin Classic'. I needed to take it back to a more Victorian feeling, so I put the character in costume.
 I feel that this works but I need to do a background that fits the image of moorland and also ties in well with the characters.


I created this and darkened all of image on Photoshop. But on reflection I decided that I wanted the hearts to stand out more, so I went back and lightened this part of the image.

Although this has improved the image. I'm still not happy with the final outcome as a whole. I feel I need more experience using Photoshop so that I can make the image sit better with the background. Or do a different kind of background. I don't think they work very well together. I like the effect of the hearts and the detail on them, but I don't think the rest of the image works with the colouring pencil. I think this image needed to have been either  more of a mixed media image or I should have used a different media, maybe an acrylic or watercolour paint.

The feedback I received from the peer review was 'nice shading and spot colour', 'which book is this for?', 'research ways of shading i.e. top hat' and 'wonderful pencil work. I also like how haunting the characters eyes are.'
I think I may have made my idea a bit too modern for a book cover for such an old story, and this is why some people may have not known that the cover was designed for Wuthering Heights. I think if I had drawn in some Moorland and made it more of a traditional design for a Penguin Classic book cover then it would have been easier to recognise.
I would benefit from looking at alternative ways of shading, that kind of research can improve my knowledge of sketching and shading and give me more techniques to work with and make future work better.
The positive comments were very nice to see, it makes aspects of my work feel like it was effective and my ideas like the darkness of the eyes and the spot colour was successful in this piece of work.

Wednesday, 14 October 2015

OLIO 11 Brief

From the start of University, we were shown OLIO's. On my first open day and interview for the Uni, I was shown OLIO's. Every year that I've been at the Uni I have seen OLIO's. To begin with I had no idea what it was or why they were showing me them. But after a while I realised it was a collective book of all the work of the current third years who would be graduating that year. When I realised this I was extremely excited and shocked at how fast it had come round for my turn to submit my own piece of work into OLIO 11.
I looked at previous OLIO's for pieces of work that worked well, and pieces that didn't work so well so that I could work out what would be most effective when I create my piece of work.


OLIO 9 - Francesca Williams

I think this Illustration works really well, although it is two separate pieces of work, they sit together very well on a double page spread. The two images reflect in a negative way yet respond to each other effectively. The colours that are used compliment the pages as they are used in opposite areas and the pastel shades set the scene of the images. The use of white flowers on each of the women's knees tie together the two images.


OLIO 9 - Hannah Isaacs

I think this image works well as a double page spread because the image isn't lost in the gutter of the page. It flows very well and the detail of the skeleton and hair makes the illustration eye catching and it stands out against the patterned background.


OLIO 9 - Jess Hinsley
Although the artwork for this illustration is very good, the piece is ruined by some of the image getting lost in the guttering which makes it less effective. This is something that I would like to avoid for my piece of work and to have all the important information of the image visible on the two pages.

After looking at previous OLIO's, I think I would like to create ideas that are double page spreads and not two separate illustrations. I feel that the images flow well across the two pages and you can get more information about your illustration across the wider area, therefore making it more interesting to view.

Our brief for OLIO 11 is to create 2 pieces of work with different approaches to the theme of 'The Eleventh Hour'.
My first response to 'The Eleventh Hour':

- Drinking tea...Optimum drinking temperature
- Check if you've got your passport/if it's in date before a holiday
- Cleaning/doing chores before Mum gets home
- Seasoning food
- Buying Christmas presents
- Washing up
- Writing essays or doing work
- Sort out cars MOT/insurance
- food shopping for dinner party
- Putting parsley on the dinner "God fathers we forgot the parsley" (an old childhood memory)
- Drying clothes before a night out
- Putting on lipstick/lip gloss
- Being born/giving birth
- Decisions in history - e.g. gun powder plot, Berlin Wall
- Suicide saviours - last minute of life
- Environment
- Last tree, in a pod - protecting it
- Mexican day of the dead
- The one that got away (romance)
- Bees
- Natural Disasters
- Decision making
- Consequences
- The Boy in the Striped Pyjamas
- Catching trains/buses
- Changing your mind
- Deadlines
- Fate
- Casino
- Gambling

This is an array of different ideas I have taken from my own research and thinking and a group tutorial where we spent an hour discussing loads of different ways we could interpret 'The Eleventh Hour.'
I found the group tutorial really useful as my ideas were quite static to begin with but talking about ideas as a group opened up my mind and allowed me to think down a number of different lines that I hadn't thought of before. This therefore helped my imagination and contributed to a much more diverse range of illustration ideas that I could create.

We had a few InDesign workshops which were very useful as I hadn't used InDesign before. An introduction into setting up a document and placing images on the pages gave me a clearer idea of how my OLIO work is required to be submitted. For example, page size (165mm x 235mm and 3mm bleed), number of pages (4), CYMK colour, press quality, a TIFF format file, a JPEG format file, our name, student number and contact details...We were also shown the specific requirements of saving our files to make a PDF for the submission.
I feel a lot more confident with using InDesign again in the future and for other modules that are approaching.

Workshop 1 - 8/10/15

Todays workshop was a Live Brief. We had a choice of 7 different articles to create an editorial piece of work from.

The article I chose was: "What are American spies doing at Oktoberfest?"http://www.msn.com/en-us/news/world/what-are-american-spies-doing-at-oktoberfest/ar-AAf0uJm


 I did a few quick rough sketches of some ideas. I felt there was some strong characteristics of the first quick sketch so I played with this idea a bit more...
After experimenting with composition and layout I came up with some clearer and more effective ideas.


This is the image before I scanned it onto a Mac and edited it using Photoshop. The image needed some neatening up and a few alterations.



Here is the final version of my editorial piece of work, after Photoshop. I wasn't overly impressed with the outcome of my work. I went over the one day deadline and the only thing in the image that I would say I am close to being pleased with is the Spy. The rest of the image isn't to the standard that I am happy with and I would have liked to have put a lot more detail into it, especially on the beer glasses. The reason for this not being to a high standard is I set too much to do in the time frame. In future I need to think more about timing and whether my design is realistic to complete in my choice of media in the allotted time. I also need to put more thought into my choice of media, what I'm good at and prefer to use isn't always the best for artwork with a time limit. I would also be more careful with my design as the ellipses on the glasses aren't very even and I feel this also lets the artwork down. I think if I were to have created the image in layers and put them all together on Photoshop then I would have been able to move aspects of the image around and neaten up other areas more effectively. With programs like Photoshop available I need to consider the finish of my work more before creating my image.

The feedback I received from the peer review was 'sensitive palette is good'. I used quite soft colours and blended them so that they appeared quite subtle, so this worked quite well. It may be something I use for other pieces of work in the future.